For the past few weeks or so, I have heard gunshots echoing in the woods. I always get mixed up as to whether it is muzzle, crossbow or the basic, open hunting season that I remember as a child. I know that muzzle and crossbow come first.
My father was a hunter. He wore a red and black plaid shirt and I think he also wore a red wool hunting vest with matching pants. It was mandatory for all of us to wear something bright red during hunting season so that we would not be mistaken for a deer and shot. I never thought much of it at the time. I would simply pull on a red sweater or bandana – whatever I could find – before running off to play. It wasn’t a big deal.
It finally occurred to me just how dangerous this whole hunting business could be when I had my own children. We lived on top of a remote mountain, on a rutty dirt road, surrounded by a good thousand acres of national forest.
I would not allow my children to play in the woods during hunting season. It isn’t that my parents did or did not permit us to go in the woods. It wasn’t good and it wasn’t bad; it was a different time, back when Daniel Boone (Fess Parker) was my hero. Other than the mandatory red in the dress code; there was no distinction between hunting season and any other season.
Not only did I insist that my kids wear red; they were to stay in the yard. I even put red collars on some of my goats. Of course the Nubians wouldn’t keep theirs on; they are impossible. However, the Toggenbergs were agreeable, which was a good thing; their characteristics are quite similar to the White Tail Deer.
Whether it was a 21 gun salute at a ceremony where I waited patiently to play taps on my trumpet, a full blown Howitzer in a Civil War Reenactment, or cannon fire aboard the USS Constitution, I had a tendency to feel gunshots in my chest and the pit of my stomach. Even when the shots are far away – like in the woods during hunting season – I feel it.
I know that there are many people who hunt to fill their freezers with meat, which is honorable. In addition to hunting for food, my Abenaki ancestors used hides and skins for clothing, shelter, and for making various items from bones and other parts. Nothing was wasted. They asked permission before hunting and they gave thanks upon killing. Whatever was left over was ceremoniously offered to the fire with the understanding that the animal spirit(s) would return to the hunting grounds.
Personally, I struggle with consuming meat. It is my understanding that animals are here for sustaining life, however I do not feel right about farm animals (even those that are treated with care and although they are here for a short time, live a humane life). There is something underhanded about taking an animal as a baby, providing it with food, water, shelter and earning trust as a caregiver, just to turn around and slaughter and eat it.
There is a vast difference between hunting and raising animals for meat. I am still working this out in my heart, which is where I do my most important thinking.
I have been integrating more plants into my diet and gradually pulling away from meat. It is a spiritual, emotional and lately a physical choice, as meat has become unappealing. I know that last year was the final nudge that confirmed this way of thinking and being. After nurturing two pigs (while making minimal eye contact in order to alleviate the weirdness after slaughter), I fell flat.
Although I arranged to be out of the viewing range of their execution and stuffed in my earplugs, for some reason, at the last moment, I found myself looking out the window as the scene unfolded. I perceived missing this experience as missing an opportunity. Opportunities come with a price. As unpleasant as it was, I wanted to witness this act as an artist. I wanted to be able to write about the raw experience of watching pigs get shot point blank in the head. It was powerful and has served me well in the creative sense; however my perception of being a carnivore has shifted dramatically. (No more bacon).
The pig incident occurred a little less than one year ago. Much has happened in such a short spell. Throughout it all, I have preserved my essential bond with Our Mother and her inhabitants. I have maintained several feeding stations for birds of all seasons and a Monarch Waystation; I revel in Wildcraft, Herbs and a plentiful garden. I sit outside at night and watch the sky while listening to peepers, owls, coyotes, baby moose and a myriad of other voices. By day I view the winged ones, gaze out over the pond, sit in stillness and consider an unfamiliar sky that has lost its innocence with manmade clouds that fail in the way of integrity and art stuff.
I have come within a few feet of two bears – an adult and a yearling that I caught on camera. I have re-established my friendship with a chipmunk that I call Yeshua just because that is the name that fit when I lived on another great mountain prior to this rambling valley.
Just after hearing the first gunshots that heralded the beginning of deer hunting season, I was outdoors collecting red clover when I saw a four point buck meandering through the bushes in the back yard. Instead of leaping and running as deer often do, he paused and looked straight at me. In fear of frightening him, I held my breath; I wanted to connect. We both froze and continued staring at one another with wide brown eyes. I exhaled. He jerked as if he was going to bolt, but he changed his mind and took a few steps towards where the pine grove once was. I sensed his urge to flee; he resisted. I appreciated that about him.
In my mind I clearly stated my intention, please stay…you are safe here…you can trust me. He gave me one more curious glance and then took his time walking up the hill, stopping to nibble on the random new growth that found its way through the ashes of old. I watched until he disappeared into the shadowy darkness of the giant pines beyond the mossy stone wall.
Last night, just before sunset, I went outdoors. After careful thought, I decided which areas were favorable to scatter carrot and apple peels and cores. I overlooked the two established compost piles because I intended for these scraps to be specifically for the deer. The wind blew hard; the pine boughs waved recklessly while the remaining leaves clung tightly to the branches of the hardwood trees.
I emptied the bowl of scraps and looked up the hill where the buck had gone a week earlier. I scraped the carrot peels from the bottom of the bowl, took a deep breath and thought, this is for the deer.
The wind blew harder; I pulled my hood up over my head and returned to the warm house where the fire was crackling in the woodstove in the kitchen. I stood at the sink and rinsed the bowl as I looked out the window, pleased that I had put the scraps where I had a good view.
The next morning as I was pouring a cup of coffee, I had a sudden impulse to look up. Standing outside of the window was a young buck fawn – a yearling. At first I thought that it was a doe, but then I saw the little nubs of starter antlers. Again I held my breath and watched. He knew that I was watching, even though I was indoors. He was as aware of me as I was of him.
Like the grand elder that walked before him, this buck trusted me and the land. He explored and took his time moving up the hill, paying homage to the remains of a once majestic pine grove whilst nibbling on new growth that could only come after a death of such magnitude.
The joy that I felt within is almost indescribable. I intended to provide trust and compassion with deer. I expressed this clearly as I scattered carrots and apples.
After he vanished into the woods, I went outdoors. He didn’t eat the carrots and may have eaten the apples, I am not certain. However, it is not about carrots or apples; it is about intention.
Journal: 'Scarlett Lily'- (High Souled Aspirations)
Heady Blossoms is a journal that covers topics ranging from wildcraft, nature, social change and spiritual awareness to the essential reflections of an untamed artist. My offerings focus on a self sustaining lifestyle, healing through nature and spirit with an emphasis on the significance of honoring Our Mother while finding harmony through the blending of the feminine and masculine. Excerpts from my Memoir - "Ballad of a Sandwich Girl" and Nature Journal - "The Summer at Duncan Lake."
Wednesday, November 2, 2011
Monday, October 24, 2011
It’s Never Too Late – The Patience of the Autumn Harvest
Last summer, I was hopelessly drawn to the contrasting shades of purple and pink oregano flowers that swayed boldly within a sea of inexhaustible mugwort. Taking care to avoid stepping on a resident garter snake, I blazed my way through the rushy overgrowth to bathe in the sweet, yet pungent aroma of the sensuous world of ancient herbs, bees and butterflies.
It is customary to pluck a green leaf, roll it between my finger and thumb, and seemingly without limit, inhale the bruised remains before taking it into my mouth to chew; leaving an almost peppery memory for a good part of the afternoon.
Along with Our Mother, I celebrate, nurture and harvest a variety of herbs, flowers and berries. The flowering plants provide a sustainable environment for butterflies, bees and hummingbirds as well as many other creatures.
In an effort to support and protect the Monarch butterfly, I maintain an official Monarch Waystation. The Monarch’s existence and ability to carry on successive generations and sustain their wondrous migration are threatened by the loss of habitat in North America. This is due mainly to the destruction of wetlands and other areas favorable for growing milkweed and various nectar producing flowers, the use of toxic herbicides, urban development and roadside mowing. Also, genetically modified plants have replaced plants that once provided a source of nectar. Land use has shifted dramatically to support the growing of soybean and corn, contributing to the loss of former, more balanced agricultural practices. These and other conditions have devastated many vital, fragile eco-systems.
Therefore, as I stood amongst the radiating, flowering mints, I marveled at the industrious bees, butterflies and hummingbirds flitting about; I stopped. The blend of diverse tones of an assortment of bees made perfect harmony with the lowest pitch being produced by the traditional, fuzzy, yellow and black, bumble bee.
Many times as I was about to reach down and snip a few stalks of oregano to add to my own hearty soups and stews, this untainted chorus would act like a strong arm and hold me back. I paused, scrunched down near the ground at eye level with the winged creatures, unable to literally cut the source of their pleasure and sustenance. Although originally intended for culinary and medicinal use; I simply could not deprive them; doing so would be to deny myself.
The butterflies – not only the Monarchs – delighted in all that flowered and cloaked the gentle, thriving hillside. Although they busied themselves on elderberries, cat mint, red and white clover and too many others to mention, they loved the oregano the most. I filled my basked with an abundance of what grew last summer, but I would leave the oregano as it were.
At the end of a golden afternoon, as the onset of winter brushes against my temples, I realize that the chorus of that sacred space amidst the mugwort is now far and away.
Last night we had a frost. The morning sun tried to work its way through willful clouds. I looked out the window and wondered if it was too late. What remained? I quickly braided my hair, buttoned my red plaid shirt and headed outside with my basket and scissors. The mugwort –flourishing, profoundly green, unaffected by surrounding death – reached my chin. I entered into the reminiscence of summer harmony, where a patch of oregano wearing a veil of faded purple tinged with ivory pink, waited patiently for me.
Journal: Babies Breath
Wednesday, October 12, 2011
Autumn Illuminated: Always the Pond
By day, I bathe in the golden light illuminated by the onset of brilliant reds, yellows and oranges emerging in leaves of the abundant trees that surround me. The crispness in the air stimulates the part of my brain that wants to bake things made from apples, cinnamon and pumpkins. The scent of a wood fire reminds me that it is time to cook chili on the cast iron stove and pull out my well-worn, oversized, flannel nightie.
I wander; look at the uncertain sky and remnants of the garden. I sit on the same old wide log that serves as my bench, not caring if I get pine pitch on my clean shorts and ignoring the mosquitoes that have no business being here so far into the next season. I stare out over the pond – leaves fall and land on the mirror-like surface, barely moving. Anxiety attempts to seep in when I half expect the things that I released in the thick heat of summer to rise to the top, reminding me of that which remains.
I think that something bigger is rustling about in the woods and I turn, prepared to face a bear or moose; red squirrels mock me with their shrill chatter and carry on with the exaggerated sounds of their jerky movements on the carpet of dry, dead leaves.
The chipmunk that used to eat from my hand last summer pokes its head out from a crevice in the Prayer Rock. His cheeks are filled to capacity. I speak aloud; congratulating him on his success in relocating after the Broad Winged Hawk forced him away from his home near my front porch. We continue to look at one another straight in the eyes. He pulls back, disappearing into the blackness of the small hole.
I return my focus to the pond. There are so many possible places to rest my eyes in order to find the stillness essential in maintaining the balance that I seek, yet understand is not what is necessary to prevail. The uncertainty as well as the certainty keeps me aware and alive. There is so much to see; I decide that I will look in between the physical matter and contemplate the space.
It is impossible to ignore the swaying, slender, green reeds in the pond. Two nearby leaves seem to be suspended in the air. I search for the stalk that supports them and decide that I would rather perceive them as floating.
Journal: Babies Breath (Nature) 10-11-2011.
I wander; look at the uncertain sky and remnants of the garden. I sit on the same old wide log that serves as my bench, not caring if I get pine pitch on my clean shorts and ignoring the mosquitoes that have no business being here so far into the next season. I stare out over the pond – leaves fall and land on the mirror-like surface, barely moving. Anxiety attempts to seep in when I half expect the things that I released in the thick heat of summer to rise to the top, reminding me of that which remains.
I think that something bigger is rustling about in the woods and I turn, prepared to face a bear or moose; red squirrels mock me with their shrill chatter and carry on with the exaggerated sounds of their jerky movements on the carpet of dry, dead leaves.
The chipmunk that used to eat from my hand last summer pokes its head out from a crevice in the Prayer Rock. His cheeks are filled to capacity. I speak aloud; congratulating him on his success in relocating after the Broad Winged Hawk forced him away from his home near my front porch. We continue to look at one another straight in the eyes. He pulls back, disappearing into the blackness of the small hole.
I return my focus to the pond. There are so many possible places to rest my eyes in order to find the stillness essential in maintaining the balance that I seek, yet understand is not what is necessary to prevail. The uncertainty as well as the certainty keeps me aware and alive. There is so much to see; I decide that I will look in between the physical matter and contemplate the space.
It is impossible to ignore the swaying, slender, green reeds in the pond. Two nearby leaves seem to be suspended in the air. I search for the stalk that supports them and decide that I would rather perceive them as floating.
Journal: Babies Breath (Nature) 10-11-2011.
Sunday, July 17, 2011
Apple Trees, Wheelbarrows and Herding Cats
If men were trees, I would consider Mr. Dearborn to be an apple tree. Stooped, honest and unassuming, his crooked limbs turned outward, his trunk although solid, was twisted and thick, and his joints were gnarled and interesting. His grayish face – like aged bark – was lined with experience. He was usually expressionless except for an occasional look of wonder. I do not remember hearing him speak; only murmuring a few sounds that carried an occasional whistle.
The fruit that he bore came in the form of cats. Mr. Dearborn had at least fifty cats if not more, which to a seven year old girl, was much better than apples.
He lived on the road that led to Sandwich Notch, up a ways on the left hand side, across from our long time family friend, Maisey Bloomberg. There wasn’t a Mrs. Dearborn or offspring that we knew about. He was simply an old man who no one bothered to notice, until that summer when my sister Susan, friend Lynn and I discovered his feral barn cats, soon to be the focal point of our very existence.
At first we were a bit skeptical, unsure of how we would be able to play with the fascinating felines without interacting with the old man. We thought about just going into his yard and playing with them but we might get in trouble, and no one in town seemed to say much about Mr. Dearborn. We never saw him at the store or the post office; we only caught glimpses of him in his window or shuffling out to his small, boarded up barn where the cats jumped and played.
Finally Lynn moved ahead with the direct plan, the one that required courage and was obviously the only one that would work. She and Susan stood on the wide granite slab step and Lynn knocked hard on the weathered oak door. I stood on the grassy stoop watching the kitties frolic. I knew that if Mr. Dearborn did something unimaginable, I could run really fast.
The door opened a crack and he leaned forward. “Hmmmmmm?” His oval, gold rimmed glasses were fogged and he had a large tan hearing aide on one ear.
“Can we play with your cats?” Lynn put her hands on her hips; Susan smiled.
“Hmmmm?” He ran his fingertips across the white fuzz on his head.
“Your cats! Can we play with your cats?” Lynn shouted. I was proud and hoped that when I was ten-years-old that I would be so brave.
Susan pointed to the back yard where even more cats were filing out of a crack in the wall of the barn. “Cats.”
It was muggy, too hot for him to be wearing a tattered brown sweater buttoned all the way up to his chin. He looked over his glasses beyond Susan and Lynn and set his sights on me. I shrugged my shoulders just in case we were overstepping our bounds.
He may have smiled; I’m not sure. He scratched his head again. “Yesssss. I ‘spose.” He turned and shut the door.
We dashed through town and on to Lynn’s house and got her Aunt Ginny’s wheelbarrow. Lynn had an elaborate plan, and that was to create a village for the cats. We would name them and assign a family and abode to each cat lucky enough to be selected.
“Hey! Where are you girls going with that wheelbarrow?” Billy rode towards us on his red Stingray bike with a banana seat and slammed on the brakes leaving rubber on the asphalt.
“We’re going to get some cats from Mr. Dearborn’s and bring them down to Ginny’s to play.” Susan always leveled with Billy. Lynn turned her nose up and kept pushing.
“Does Ginny know?” Billy did a wheelie and stood holding his handle bars, front wheel in the air spinning.
“Mind your beeswax.” Lynn rolled her eyes.
Like everyone else who interacted with Lynn, Billy did as he was told. He mounted his bike and rode towards the playground where minding his beeswax would be enjoyable.
When we got to Mr. Dearborn’s house, Lynn brought the wheelbarrow out to the barn. We immediately started chasing cats and putting them in the wheelbarrow. I went after a gray cat; it squirmed and scratched me with its back claws. I tossed him in and wiped the blood from my arm onto my pedal pushers. Susan and Lynn were screeching and trying to keep the cats from escaping. Mr. Dearborn looked out the window, scratching his head.
We came up with a method of transporting the cats. Lynn pushed the wheelbarrow; Susan held the cats down in the cart and when one hopped out, I chased it and returned it to the cart. We managed to transport five cats at a time. It took us hours just to make it less than a quarter of a mile down the road.
This activity required a great deal of time and became our pursuit for a better part of the summer. There were about a dozen cats willing to participate and cooperate as much as felinely possible – they were appropriately named and took their rightful place in the pecking order in the great compound that we created for them.
All of us became accustomed to the drill. Gather the cats, fuss and fumble with them until they are in the wheelbarrow, capture the ones that escape and herd them into the compound.
On my eighth birthday, Susan, Lynn and I were climbing my favorite maple tree (not too far from the compound) when I fell. I dislocated my shoulder and my elbow suffered a compound fracture. I was in the hospital for over a month in traction.
When I came home from the hospital, I was elated when Susan and Lynn presented me with my favorite cat Smokey – a gray short hair with emerald green eyes. Apparently Lynn and Susan told Mr. Dearborn of my accident and asked if they could give me one of the cats as a present. He agreed, which we girls thought was so generous. I preferred Smokey over all the others when we first met and began our cat escapades. He was mellow and seemed unaffected by the antics of the others – both human and feline.
Now I have returned to Sandwich. When I drive through the desolate village I conjure a clear vision of three young girls giggling, scolding and managing fidgety cats hopping in and out of a wheelbarrow. I cannot help but smile hard and even laugh at that memory. I am proud of our determination and the victorious outcome. We did not give up.
When I am on my way towards Sandwich Notch and I pass by Mr. Dearborn’s house – now boarded up – I think I see the shadow of a dead apple tree stooped over the granite step with a cat perched in the crook of the outstretched limb. I hesitate and sometimes almost turn around to see if it will come to me. But I continue on and smile as I recall how herding cats was wicked fun.
From Journal "Marigold"
The fruit that he bore came in the form of cats. Mr. Dearborn had at least fifty cats if not more, which to a seven year old girl, was much better than apples.
He lived on the road that led to Sandwich Notch, up a ways on the left hand side, across from our long time family friend, Maisey Bloomberg. There wasn’t a Mrs. Dearborn or offspring that we knew about. He was simply an old man who no one bothered to notice, until that summer when my sister Susan, friend Lynn and I discovered his feral barn cats, soon to be the focal point of our very existence.
At first we were a bit skeptical, unsure of how we would be able to play with the fascinating felines without interacting with the old man. We thought about just going into his yard and playing with them but we might get in trouble, and no one in town seemed to say much about Mr. Dearborn. We never saw him at the store or the post office; we only caught glimpses of him in his window or shuffling out to his small, boarded up barn where the cats jumped and played.
Finally Lynn moved ahead with the direct plan, the one that required courage and was obviously the only one that would work. She and Susan stood on the wide granite slab step and Lynn knocked hard on the weathered oak door. I stood on the grassy stoop watching the kitties frolic. I knew that if Mr. Dearborn did something unimaginable, I could run really fast.
The door opened a crack and he leaned forward. “Hmmmmmm?” His oval, gold rimmed glasses were fogged and he had a large tan hearing aide on one ear.
“Can we play with your cats?” Lynn put her hands on her hips; Susan smiled.
“Hmmmm?” He ran his fingertips across the white fuzz on his head.
“Your cats! Can we play with your cats?” Lynn shouted. I was proud and hoped that when I was ten-years-old that I would be so brave.
Susan pointed to the back yard where even more cats were filing out of a crack in the wall of the barn. “Cats.”
It was muggy, too hot for him to be wearing a tattered brown sweater buttoned all the way up to his chin. He looked over his glasses beyond Susan and Lynn and set his sights on me. I shrugged my shoulders just in case we were overstepping our bounds.
He may have smiled; I’m not sure. He scratched his head again. “Yesssss. I ‘spose.” He turned and shut the door.
We dashed through town and on to Lynn’s house and got her Aunt Ginny’s wheelbarrow. Lynn had an elaborate plan, and that was to create a village for the cats. We would name them and assign a family and abode to each cat lucky enough to be selected.
“Hey! Where are you girls going with that wheelbarrow?” Billy rode towards us on his red Stingray bike with a banana seat and slammed on the brakes leaving rubber on the asphalt.
“We’re going to get some cats from Mr. Dearborn’s and bring them down to Ginny’s to play.” Susan always leveled with Billy. Lynn turned her nose up and kept pushing.
“Does Ginny know?” Billy did a wheelie and stood holding his handle bars, front wheel in the air spinning.
“Mind your beeswax.” Lynn rolled her eyes.
Like everyone else who interacted with Lynn, Billy did as he was told. He mounted his bike and rode towards the playground where minding his beeswax would be enjoyable.
When we got to Mr. Dearborn’s house, Lynn brought the wheelbarrow out to the barn. We immediately started chasing cats and putting them in the wheelbarrow. I went after a gray cat; it squirmed and scratched me with its back claws. I tossed him in and wiped the blood from my arm onto my pedal pushers. Susan and Lynn were screeching and trying to keep the cats from escaping. Mr. Dearborn looked out the window, scratching his head.
We came up with a method of transporting the cats. Lynn pushed the wheelbarrow; Susan held the cats down in the cart and when one hopped out, I chased it and returned it to the cart. We managed to transport five cats at a time. It took us hours just to make it less than a quarter of a mile down the road.
This activity required a great deal of time and became our pursuit for a better part of the summer. There were about a dozen cats willing to participate and cooperate as much as felinely possible – they were appropriately named and took their rightful place in the pecking order in the great compound that we created for them.
All of us became accustomed to the drill. Gather the cats, fuss and fumble with them until they are in the wheelbarrow, capture the ones that escape and herd them into the compound.
On my eighth birthday, Susan, Lynn and I were climbing my favorite maple tree (not too far from the compound) when I fell. I dislocated my shoulder and my elbow suffered a compound fracture. I was in the hospital for over a month in traction.
When I came home from the hospital, I was elated when Susan and Lynn presented me with my favorite cat Smokey – a gray short hair with emerald green eyes. Apparently Lynn and Susan told Mr. Dearborn of my accident and asked if they could give me one of the cats as a present. He agreed, which we girls thought was so generous. I preferred Smokey over all the others when we first met and began our cat escapades. He was mellow and seemed unaffected by the antics of the others – both human and feline.
Now I have returned to Sandwich. When I drive through the desolate village I conjure a clear vision of three young girls giggling, scolding and managing fidgety cats hopping in and out of a wheelbarrow. I cannot help but smile hard and even laugh at that memory. I am proud of our determination and the victorious outcome. We did not give up.
When I am on my way towards Sandwich Notch and I pass by Mr. Dearborn’s house – now boarded up – I think I see the shadow of a dead apple tree stooped over the granite step with a cat perched in the crook of the outstretched limb. I hesitate and sometimes almost turn around to see if it will come to me. But I continue on and smile as I recall how herding cats was wicked fun.
From Journal "Marigold"
Sunday, July 10, 2011
Dancing With My Mother – A Story of Mothers, Daughters, Love and Music
I fought back tears and tried to focus on the scenery as we drove down Route 4 in New Hampshire, also known as Antique Alley. I did not embrace ‘having a day off’ as my husband put it. I wanted to celebrate Mother’s Day with my children. The most fantastic omelet in the world and a day of antiquing didn’t make up for their absence.
Based on choices – a career as a professional trumpet player and with my husband’s support – I was able to stay at home with my children. In fact, I was able to home educate them and eventually have a small farm. I was blessed. But like everything in life, there are plusses and minuses. Unfortunately, I was divorced from my children’s father. This proved to be a great hardship.
That weekend in 1995 – like too many other weekends – overflowed with worry and sadness while my children were on visitation with their father. My husband and my ex-husband were all for sticking with the schedule, not making an exception for Mother’s Day. It really didn’t matter what they thought; it was about my children and me. I wanted to be with them on Mother’s Day (everyday for that matter) and they wished the same. However, at that time we did not have a voice like we do now.
I was listening to NPR when the amazing sound of a woman’s earthy and pure voice captured my attention.
My mother stands in the kitchen of my childhood
Slicing and dicing, stirring, white apron on
Drinking cold coffee
Mixing, baking, serving, caring, listening…
She instantly resonated with me. I turned up the volume. Her narrative segued into a beautiful folk song about dancing with her mother. Where are you? Dancing, with my mother… The last line blew me away when a little girl sang sweetly to her mother.
I lost it. Tears streamed down my cheeks as I scrambled for a pen to write down the name of the artist. Rachel Bissex. My pen didn’t work so I recited her name repeatedly in my head until we arrived at the next antiques shop. I rifled through the glove box and found another pen, scribbled her name on a piece of scrap paper and tucked it into my pocketbook.
My mother rocks in the bedroom of my childhood
Her guitar a silhouette against the window
Where the white sheer curtains hang
And the headlights come
[…]
And she’s singing to me
And she’s singing to the moon
And she’s singing about lost love…
The words could have come from my own pen. I sang to my children day and night…it was all about the moon and love and longing. We always played music together; it fed our hungry souls.
When I finally purchased a copy of the CD, I listened to it over and over again. I connected with Rachel and especially that song. I took my daughter Anna into my arms and danced. It became a tradition. When I had that maternal melancholy or deep need to bathe in the love shared with my only daughter, we danced. Our dancing was not restricted to this one song; we also enjoyed boogying to the songs of the Andrews Sisters and Lady Marmalade to name a few. However, Dancing with my Mother was “our” song. It defined us, indeed.
My brothers embarrassed
But we didn’t care
Emotions were meant to be shared…
When we danced together my sons also watched and wondered. Sometimes they thought it was silly or trivial but they knew to honor and respect our feminine rituals, which continue to evolve magnificently.
Our bond strengthened through our cello playing; we shared many years of duets and eventually sat side by side in the symphony. Music forms a powerful union, when added to the strength of the umbilical cord, it is unsurpassable.
A few years later, Anna and I decided that we would dance to this song at her wedding; we would have a mother / daughter dance.
Anna is now a traveling, busking musician and I do not see her as often as I would like, but she is living her life accordingly and I have practiced letting go. We stay in touch via cell phone at least once or twice a week. I watch her music videos on You Tube and peek at her facebook page to follow the steps of her journey (I have sworn to keep concerns and opinions in check, a common rule for many parents and their offspring on facebook).
One day last year when I was missing Anna, I decided to post Dancing with my Mother on her facebook page. I went onto You Tube to search. I was disappointed because I couldn’t find it. I then googled Rachel Bissex and was saddened to read that she passed away. It was such a devastating loss for someone who I had never met.
Last night, well after midnight, I got a text message from Anna, “I know it’s ridiculously late right now, but I have really exciting news for you tomorrow! It has to do with ‘Dancing with my Mother’…
Thunder rumbled and shook the house. The rain was coming down so hard that I could hear it over the fan that I had set on high. I thought it couldn’t rain harder, but it did. I rubbed my eyes and sat up. Oh my God. Anna’s getting married. I panicked and played a series of wedding videos written and directed by me through my head. I texted her: “Do not get married yet, please? We need to talk…You are so young to make a lifetime commitment. I am awake if you want to call. Love you.”
Awake? I was buzzing. Anna is twenty two-years-old with her life ahead of her. She clearly indicated that she wasn’t interested in getting married until she was older. What happened? My mind started to fill in the blanks. I glanced at my cell phone on the bedside table in hopes that it would light up, vibrate, or make some sort of annoying sound. Nothing.
I grabbed it and started typing, “I have some really good ideas that honor your love and union…some insight from a wise woman who loves her daughter…all positive and full of love for you both…xx”
I fluffed the pillows and tried to get comfortable. I stared into the darkness and did what I always did when I knew that some things were going to happen whether I liked them or not. I started to pray for strength, clarity and acceptance. I prayed for the ability to let go of that which is not mine. I refused to panic, yet I could not sleep.
How can she text me something like that at 2:00 AM and then leave me hanging? My way of not panicking sometimes includes driving the point home, at least initially. I texted her one more time: “Long engagements are good…I would like that a lot…am smiling…call me in the morning and share…I am glad that you are happy…goodnight sweetheart…”
I didn’t want to be anticipating a response, so the goodnight part was my own license to sleep. Fat chance. I was careful to let Anna know that I loved her and I kept it positive when it was in fact not at all what I hope for her right now. It was a blow.
The rain slowed to a steady rhythm. I finally relaxed and found a comfortable position when my cell phone lit up the room, vibrated and chimed. I reached for it and read the message from Anna: “Ha ha, nooooooo, just wait til morning, its something you would never guess.”
Sigh. I responded: “Okay…xo”
I passed out.
In the morning I sat on the front porch watching humming birds, sipping coffee and wondering what on earth Anna was talking about. She specifically mentioned the song that we have known will be our dance song on her wedding day. What else could it be?
She finally called me at 11:30 and told me the story.
She was sitting at a table at her favorite spot in Burlington, Vermont – the Radio Bean CafĂ©. A girl approached her and complimented her necklace, which is a violin bridge. Anna told her that she was a cellist and someone had given her the bridge and she had no use for it so she crafted it into a necklace.
The girl then told her that she was a violinist. Her name is Emma and she and Anna shared an extraordinary list of all that they had in common. They are both classically trained and have discovered new genres of music. Both have strong maternal connections. Their mothers instilled such a passion for music that they have tattooed symbols of this passion on their bodies, which is what sparked their connection. Emma’s father is a trumpet player. They both have two brothers. Synchronicity.
Anna showed Emma the tattoo of “F holes” on her back, giving the illusion that she is a human cello. Emma then showed Anna the tattoo on her back. It was the music and lyrics of Dancing with my Mother.
Anna started to read it and then realized that it was our song. She exclaimed, “I know that song, that’s my mother’s and my song!”
Emma told her that her mother wrote it. Anna was ecstatic and asked if she was the little girl who sang in the piece. Emma said that she was; she was seven years old at the time. They embraced. Anna told her that she could not believe she was sitting with the little girl whose voice she listened to throughout her life whilst dancing with her own mother.
Emma shared her love and the sorrow of losing her mother to breast cancer six years earlier. The two young women – daughters – shared their stories and both comprehend the significance of their meeting. They plan to stay connected and honor their unique bond which encompasses the profound love that encircles mothers and daughters illuminated in the light of music.
Lyrics - Rachel Bissex, Don't Look Down, 'Dancing with my Mother', alcazar productions, Waterbury VT, 1995.
From Journal: “Periwinkle” [Maternal]
Based on choices – a career as a professional trumpet player and with my husband’s support – I was able to stay at home with my children. In fact, I was able to home educate them and eventually have a small farm. I was blessed. But like everything in life, there are plusses and minuses. Unfortunately, I was divorced from my children’s father. This proved to be a great hardship.
That weekend in 1995 – like too many other weekends – overflowed with worry and sadness while my children were on visitation with their father. My husband and my ex-husband were all for sticking with the schedule, not making an exception for Mother’s Day. It really didn’t matter what they thought; it was about my children and me. I wanted to be with them on Mother’s Day (everyday for that matter) and they wished the same. However, at that time we did not have a voice like we do now.
I was listening to NPR when the amazing sound of a woman’s earthy and pure voice captured my attention.
My mother stands in the kitchen of my childhood
Slicing and dicing, stirring, white apron on
Drinking cold coffee
Mixing, baking, serving, caring, listening…
She instantly resonated with me. I turned up the volume. Her narrative segued into a beautiful folk song about dancing with her mother. Where are you? Dancing, with my mother… The last line blew me away when a little girl sang sweetly to her mother.
I lost it. Tears streamed down my cheeks as I scrambled for a pen to write down the name of the artist. Rachel Bissex. My pen didn’t work so I recited her name repeatedly in my head until we arrived at the next antiques shop. I rifled through the glove box and found another pen, scribbled her name on a piece of scrap paper and tucked it into my pocketbook.
My mother rocks in the bedroom of my childhood
Her guitar a silhouette against the window
Where the white sheer curtains hang
And the headlights come
[…]
And she’s singing to me
And she’s singing to the moon
And she’s singing about lost love…
The words could have come from my own pen. I sang to my children day and night…it was all about the moon and love and longing. We always played music together; it fed our hungry souls.
When I finally purchased a copy of the CD, I listened to it over and over again. I connected with Rachel and especially that song. I took my daughter Anna into my arms and danced. It became a tradition. When I had that maternal melancholy or deep need to bathe in the love shared with my only daughter, we danced. Our dancing was not restricted to this one song; we also enjoyed boogying to the songs of the Andrews Sisters and Lady Marmalade to name a few. However, Dancing with my Mother was “our” song. It defined us, indeed.
My brothers embarrassed
But we didn’t care
Emotions were meant to be shared…
When we danced together my sons also watched and wondered. Sometimes they thought it was silly or trivial but they knew to honor and respect our feminine rituals, which continue to evolve magnificently.
Our bond strengthened through our cello playing; we shared many years of duets and eventually sat side by side in the symphony. Music forms a powerful union, when added to the strength of the umbilical cord, it is unsurpassable.
A few years later, Anna and I decided that we would dance to this song at her wedding; we would have a mother / daughter dance.
Anna is now a traveling, busking musician and I do not see her as often as I would like, but she is living her life accordingly and I have practiced letting go. We stay in touch via cell phone at least once or twice a week. I watch her music videos on You Tube and peek at her facebook page to follow the steps of her journey (I have sworn to keep concerns and opinions in check, a common rule for many parents and their offspring on facebook).
One day last year when I was missing Anna, I decided to post Dancing with my Mother on her facebook page. I went onto You Tube to search. I was disappointed because I couldn’t find it. I then googled Rachel Bissex and was saddened to read that she passed away. It was such a devastating loss for someone who I had never met.
Last night, well after midnight, I got a text message from Anna, “I know it’s ridiculously late right now, but I have really exciting news for you tomorrow! It has to do with ‘Dancing with my Mother’…
Thunder rumbled and shook the house. The rain was coming down so hard that I could hear it over the fan that I had set on high. I thought it couldn’t rain harder, but it did. I rubbed my eyes and sat up. Oh my God. Anna’s getting married. I panicked and played a series of wedding videos written and directed by me through my head. I texted her: “Do not get married yet, please? We need to talk…You are so young to make a lifetime commitment. I am awake if you want to call. Love you.”
Awake? I was buzzing. Anna is twenty two-years-old with her life ahead of her. She clearly indicated that she wasn’t interested in getting married until she was older. What happened? My mind started to fill in the blanks. I glanced at my cell phone on the bedside table in hopes that it would light up, vibrate, or make some sort of annoying sound. Nothing.
I grabbed it and started typing, “I have some really good ideas that honor your love and union…some insight from a wise woman who loves her daughter…all positive and full of love for you both…xx”
I fluffed the pillows and tried to get comfortable. I stared into the darkness and did what I always did when I knew that some things were going to happen whether I liked them or not. I started to pray for strength, clarity and acceptance. I prayed for the ability to let go of that which is not mine. I refused to panic, yet I could not sleep.
How can she text me something like that at 2:00 AM and then leave me hanging? My way of not panicking sometimes includes driving the point home, at least initially. I texted her one more time: “Long engagements are good…I would like that a lot…am smiling…call me in the morning and share…I am glad that you are happy…goodnight sweetheart…”
I didn’t want to be anticipating a response, so the goodnight part was my own license to sleep. Fat chance. I was careful to let Anna know that I loved her and I kept it positive when it was in fact not at all what I hope for her right now. It was a blow.
The rain slowed to a steady rhythm. I finally relaxed and found a comfortable position when my cell phone lit up the room, vibrated and chimed. I reached for it and read the message from Anna: “Ha ha, nooooooo, just wait til morning, its something you would never guess.”
Sigh. I responded: “Okay…xo”
I passed out.
In the morning I sat on the front porch watching humming birds, sipping coffee and wondering what on earth Anna was talking about. She specifically mentioned the song that we have known will be our dance song on her wedding day. What else could it be?
She finally called me at 11:30 and told me the story.
She was sitting at a table at her favorite spot in Burlington, Vermont – the Radio Bean CafĂ©. A girl approached her and complimented her necklace, which is a violin bridge. Anna told her that she was a cellist and someone had given her the bridge and she had no use for it so she crafted it into a necklace.
The girl then told her that she was a violinist. Her name is Emma and she and Anna shared an extraordinary list of all that they had in common. They are both classically trained and have discovered new genres of music. Both have strong maternal connections. Their mothers instilled such a passion for music that they have tattooed symbols of this passion on their bodies, which is what sparked their connection. Emma’s father is a trumpet player. They both have two brothers. Synchronicity.
Anna showed Emma the tattoo of “F holes” on her back, giving the illusion that she is a human cello. Emma then showed Anna the tattoo on her back. It was the music and lyrics of Dancing with my Mother.
Anna started to read it and then realized that it was our song. She exclaimed, “I know that song, that’s my mother’s and my song!”
Emma told her that her mother wrote it. Anna was ecstatic and asked if she was the little girl who sang in the piece. Emma said that she was; she was seven years old at the time. They embraced. Anna told her that she could not believe she was sitting with the little girl whose voice she listened to throughout her life whilst dancing with her own mother.
Emma shared her love and the sorrow of losing her mother to breast cancer six years earlier. The two young women – daughters – shared their stories and both comprehend the significance of their meeting. They plan to stay connected and honor their unique bond which encompasses the profound love that encircles mothers and daughters illuminated in the light of music.
Lyrics - Rachel Bissex, Don't Look Down, 'Dancing with my Mother', alcazar productions, Waterbury VT, 1995.
From Journal: “Periwinkle” [Maternal]
Saturday, July 9, 2011
Attribution – Unlocking the Doors Within
This morning I went to the garden. The daylily appropriately named ‘Attribution’ finally bloomed, bringing with it long anticipated clarity.
My soul is in perpetual training. There are multiple aspects of this way of being. There is the courageous part that seeks newness and takes the road of preparedness for the leap into the unknown. This way I am able to sense those things which would otherwise remain hidden in my so-called safe place.
A part of me chooses to view the world through the eyes of an innocent child, enabling the wonderment of discovery and the awe of life’s small miracles. Often, joy and inspiration are tucked away in these moments; creativity and possibilities are born.
However, the more open I am to what is around me, the more pain and ugliness I must sift through. Awareness. Sometimes this ugliness wraps itself around me like a heavy net, restricting movement, imprisoning me within its scratchy tangles.
Struggling to free myself from the net is exhausting, leaving me without strength to carry on the simplest tasks while greater tasks gather on the edge of the horizon like menacing thunder clouds. Ambition dies.
When I cannot write, when the words chase each other around in mottled chaos inside my head, I am stuck somewhere between black scribbles and vast emptiness. Moving forward is a chore; my feet are heavy with each step. Breathing is no longer automatic. All things are forced.
There is good silence and there is bad silence. The place where I scream and nothing comes out has emerged from my dream state into my consciousness where it does not belong. No one hears, not even me.
The lesson of letting go has been the most significant of late. I have heeded my own advice, which is to be at the helm of that little ship on the rough seas, not tossed about at the mercy of the waves.
Eventually, the helm is impossible to manage. Shift. Change. Trust. Maryjane, just let go.
Okay. It works.
My connection with nature must be maintained. Nature is a major component of the antidote. If I spend too many days locked in the corporate world – this connection is greatly compromised. After a long day at the office, I pull into the driveway and sit in the car mustering the energy to walk into my home. I acknowledge swollen buds about to burst into splendor; I smile weakly as a hummingbird zooms past me to one of the feeders, but the roaring flame usually ignited by these very things is a dim ember. Not ash; there lies hope.
After a day or two of reminding myself to breathe, giving thanks for a multitude of blessings, allowing stillness and being okay with it is; the net begins to dissolve. The damp, clingy mist evaporates and through it I see the magnificence of the simple, deep-green cat-o-nine tails swaying in the pond. The light filtering through the clouds provides a hint of inspiration.
When I finally stop fighting; the net falls away completely. The ember – divine spark – roars within. The torrential rain that woke me in the middle of the night gave way to a perfectly sunny day with a delicate breeze.
Thoughts, words, creativity and possibilities are endless.
When the garden lily brings forth tears, it is a good morning indeed.
From Journal: “Apple Blossoms” [The Writing Life]
My soul is in perpetual training. There are multiple aspects of this way of being. There is the courageous part that seeks newness and takes the road of preparedness for the leap into the unknown. This way I am able to sense those things which would otherwise remain hidden in my so-called safe place.
A part of me chooses to view the world through the eyes of an innocent child, enabling the wonderment of discovery and the awe of life’s small miracles. Often, joy and inspiration are tucked away in these moments; creativity and possibilities are born.
However, the more open I am to what is around me, the more pain and ugliness I must sift through. Awareness. Sometimes this ugliness wraps itself around me like a heavy net, restricting movement, imprisoning me within its scratchy tangles.
Struggling to free myself from the net is exhausting, leaving me without strength to carry on the simplest tasks while greater tasks gather on the edge of the horizon like menacing thunder clouds. Ambition dies.
When I cannot write, when the words chase each other around in mottled chaos inside my head, I am stuck somewhere between black scribbles and vast emptiness. Moving forward is a chore; my feet are heavy with each step. Breathing is no longer automatic. All things are forced.
There is good silence and there is bad silence. The place where I scream and nothing comes out has emerged from my dream state into my consciousness where it does not belong. No one hears, not even me.
The lesson of letting go has been the most significant of late. I have heeded my own advice, which is to be at the helm of that little ship on the rough seas, not tossed about at the mercy of the waves.
Eventually, the helm is impossible to manage. Shift. Change. Trust. Maryjane, just let go.
Okay. It works.
My connection with nature must be maintained. Nature is a major component of the antidote. If I spend too many days locked in the corporate world – this connection is greatly compromised. After a long day at the office, I pull into the driveway and sit in the car mustering the energy to walk into my home. I acknowledge swollen buds about to burst into splendor; I smile weakly as a hummingbird zooms past me to one of the feeders, but the roaring flame usually ignited by these very things is a dim ember. Not ash; there lies hope.
After a day or two of reminding myself to breathe, giving thanks for a multitude of blessings, allowing stillness and being okay with it is; the net begins to dissolve. The damp, clingy mist evaporates and through it I see the magnificence of the simple, deep-green cat-o-nine tails swaying in the pond. The light filtering through the clouds provides a hint of inspiration.
When I finally stop fighting; the net falls away completely. The ember – divine spark – roars within. The torrential rain that woke me in the middle of the night gave way to a perfectly sunny day with a delicate breeze.
Thoughts, words, creativity and possibilities are endless.
When the garden lily brings forth tears, it is a good morning indeed.
From Journal: “Apple Blossoms” [The Writing Life]
Monday, June 27, 2011
Memories of the Trees: Healing
It was about a month ago when the loggers came and cut down each divine tree in the pine grove, leaving behind a wretched heap. Except for an occasional glimpse of sun, it rained for the whole month, so it seemed. When it wasn’t raining; impenetrable gray clouds hovered over the snarled remains – twisted limbs, bleak stumps and clusters of once hopeful, green pine needles. The only sign of life… mosquitoes, black flies and wood ticks…pursued me relentlessly. I had every reason to stay away.
The thick, sweet scent of pine permeated the air – a cruel joke indeed. I attempted to walk up the hill and stand in the middle of where the giant pines once stood, but I succumbed to a certain weakness, which I have never experienced before.
No matter how hard I tried, I could not accept the loss of what felt like a part of me. I could not tolerate the void, the hole, the place where new light emphasized the truth of intent.
I walked amongst the daisies and lupine in hopes of finding cheer and inspiration as I often do, but I could not fully surrender. No matter where I stood or where I looked, my world was too altered; I was unable to find my center. The abundance of light in that one place caused me to wince; the acoustics of the wood thrush cascaded into the emptiness with an uncommon timbre.
I sentenced myself to the front yard where I would not be reminded, except for the aroma of pine pitch, which adhered to my core. I have woken up several mornings to the sound of gentle rain, enveloped in this blissful evergreen bouquet only to plummet into the reality of their demise.
I knew that I loved the trees and the enchanting pine grove; however I did not comprehend our direct connection, as if it were my lifeblood. I felt so fortunate to dwell in their magnificent presence, especially during a time in human history when Our Mother is suffering and in so much pain. Any day, night and season, I was able to retreat into the woods and listen to the quiet hush in the highest parts of the giant pines. To witness this sacred beauty in the woods was to witness hope and reconnect with my original purpose.
I finally made my way to the center of the pine grove ruins. I stood in its vast emptiness while the bugs viciously attacked me and the rain fell hard. I shed an abundance of tears and allowed the pain to surface in all of its ugliness and rage. Release was the only way for me to move on so that I could embrace the thought of the new growth of hardwood trees, a barn and field.
The approaching rumble of thunder nudged me down the hill towards the house. My breathing was shallow as the heavy hand of Sophia pressed against my chest; I could not utter a sound. I peeled away my wet clothes and soaked in a hot lavender bath surrounded by the light of a dozen flickering candles.
The following day I awoke with a fever, chills, bad cough and sore throat. My voice was gone and I was weak. It took over two weeks for this illness to pass; my health is just now returning. I was greatly uninspired and in despair after this loss.
Today was the first day that it really felt like summer. I have surrounded myself with hummingbird feeders – about ten or so scattered about strategically in the front yard. I sat in my red chair with my eyes closed listening to the steady beating of hummingbird wings whirring about. In fact, one hovered in front of me and we made eye contact for what seemed like a half a minute. I have chosen these little miracles to aid in my final healing process.
I will confess that I did not expect this event to affect me as it did. However, we are all a part of nature, some more aware and connected than others. I will never forget.
From Journal - Babies Breath (Nature)
The thick, sweet scent of pine permeated the air – a cruel joke indeed. I attempted to walk up the hill and stand in the middle of where the giant pines once stood, but I succumbed to a certain weakness, which I have never experienced before.
No matter how hard I tried, I could not accept the loss of what felt like a part of me. I could not tolerate the void, the hole, the place where new light emphasized the truth of intent.
I walked amongst the daisies and lupine in hopes of finding cheer and inspiration as I often do, but I could not fully surrender. No matter where I stood or where I looked, my world was too altered; I was unable to find my center. The abundance of light in that one place caused me to wince; the acoustics of the wood thrush cascaded into the emptiness with an uncommon timbre.
I sentenced myself to the front yard where I would not be reminded, except for the aroma of pine pitch, which adhered to my core. I have woken up several mornings to the sound of gentle rain, enveloped in this blissful evergreen bouquet only to plummet into the reality of their demise.
I knew that I loved the trees and the enchanting pine grove; however I did not comprehend our direct connection, as if it were my lifeblood. I felt so fortunate to dwell in their magnificent presence, especially during a time in human history when Our Mother is suffering and in so much pain. Any day, night and season, I was able to retreat into the woods and listen to the quiet hush in the highest parts of the giant pines. To witness this sacred beauty in the woods was to witness hope and reconnect with my original purpose.
I finally made my way to the center of the pine grove ruins. I stood in its vast emptiness while the bugs viciously attacked me and the rain fell hard. I shed an abundance of tears and allowed the pain to surface in all of its ugliness and rage. Release was the only way for me to move on so that I could embrace the thought of the new growth of hardwood trees, a barn and field.
The approaching rumble of thunder nudged me down the hill towards the house. My breathing was shallow as the heavy hand of Sophia pressed against my chest; I could not utter a sound. I peeled away my wet clothes and soaked in a hot lavender bath surrounded by the light of a dozen flickering candles.
The following day I awoke with a fever, chills, bad cough and sore throat. My voice was gone and I was weak. It took over two weeks for this illness to pass; my health is just now returning. I was greatly uninspired and in despair after this loss.
Today was the first day that it really felt like summer. I have surrounded myself with hummingbird feeders – about ten or so scattered about strategically in the front yard. I sat in my red chair with my eyes closed listening to the steady beating of hummingbird wings whirring about. In fact, one hovered in front of me and we made eye contact for what seemed like a half a minute. I have chosen these little miracles to aid in my final healing process.
I will confess that I did not expect this event to affect me as it did. However, we are all a part of nature, some more aware and connected than others. I will never forget.
From Journal - Babies Breath (Nature)
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